Career of Evil- Robert Galbraith

This is the third book in the Cormoran Strike series, so there are probably spoilers in here for the previous two.  If that is a thing you care about.

THIS BOOK. SO SO SO GOOD.

Strike and Robin are back, keeping busy with some surveillance cases. One day, Robin receive a woman’s severed leg in the post and it is clear this killer has a personal ax to grind with Strike and has his sights set on Robin as his next victim. Strike is quick to identify three likely suspects from his past and when the police don’t take his leads seriously enough, he and Robin do some investigating on the side, of course. All the while, the killer is keeping busy, stalking Robin and killing and dismembering his way across London.

Plot-wise, this wasn’t my favorite mystery in this series. There are several chapters told from the killer’s POV that read like textbook serial killer behavior. He’s misogynistic. He puts on a pretty face to his girlfriend. His thirst to kill ramps up over time and he gets clumsier and more desperate as he seeks that kill-high more and more frequently. All of that felt very done before, not to say that the killer wasn’t super creepy. It was kind of interesting to see the killer’s POV in the story, but again, it’s been done before and I guess evil serial killer is just not compelling enough for me any more (I guess I’ve read too much serial killer stuff).

In addition to the somewhat tired feel of the killer, there are three clear and obvious suspects from the start. While they are all horrible men and I never was certain who was the killer, I was almost able to pull all the pieces together. Galbraith/Rowling is very good at not constructing a mystery in which the answer is obvious to the reader, leaving enough out of the text to leave you wondering and pursuing the truth, but there was such a limited suspect pool for whom we all get extended backstories, it would be impossible to not come up with a theory that touches on the actual solution to the mystery. All that to say, I still cared about the mystery and the killer was dangerous and there were some seriously scary parts with him in them, but really, this book was more about the Strike-Robin dynamic than anything.

There is a serious amount of character and relationship development with Strike and Robin in this installment and Strike and Robin are what make this series as good as it is. The more Rowling that I read, the more I realize that her strength lies in the development of characters, something that was apparent in The Casual Vacancy, but is especially satisfying in the Cormoran Strike series. Robin is amazingly likeable– smart, strong, principled, and wickedly talented at detective work. And I have a weak spot for Strike– he’s exactly the kind of gruff, intelligent hero I can’t get enough of and his interactions with Robin are always the highlight of these books. I was kind of blown away by how much I liked seeing the two of them together in this book– there were a lot more opportunities for a new kind of intimacy to develop in their relationship. This book is the first time that Strike and Robin really acknowledge that they are friends and confidantes, that their relationship is more than strictly professional, and that there might even be more than platonic feelings between them.  I don’t want to say too much, but this is the first time I’ve really seen Rowling write sexual tension and go figure, she’s amazing at it.

The final chapter left me with my mouth hanging open. I have no idea what actually happened there and I’m sure it will be at least another year before I can find out. More Strike, more Robin, an actual answer to what the heck that last sentence meant–gah, I can’t wait. These books are some of my favorites. Basically, everyone needs to read them and love them as much as I do.

A Window Opens- Elisabeth Egan

Alice is a married mother of three in her late 30s, living in the New Jersey suburbs of NYC.  She works part-time at a women’s magazine writing the column on book recommendations and this gives her a nice balance between being present with her children, taking time for herself (spinning class! book club! wine with friends!), and remaining active in the career force.  But then, her husband, Nicholas, loses his job as a high-powered corporate attorney and decides to go into practice for himself.  In the meantime, Alice decides to take on a full-time job to support her family while Nicholas’s business gets off the ground.  She finds a well-paying job with Scroll, the latest innovation in bookstores.  Alice thinks she’ll be curating a collection of ebooks for customers to choose from in Scroll’s luxurious reading lounges, complete with free trade coffee and organic snacks.  But Alice is actually entering the retail world where customer demand and the dollar are the bottom lines.  Her job offers very little flexibility, includes a 90 minute one-way commute, and requires Alice to be hooked up to email and her phone all the time.  At first, she is thrilled to be taking on this new challenge, but real life soon gets in the way.  Her kids are handling things alright, but she is never quite satisfied to be spending so little time with them.  Her husband begins drinking more and more.  And on top of all that, her father’s cancer has returned and is not responding to radiation.  Alice tries to make her new job work alongside the personal interruptions, but she eventually finds that she is being made miserable trying to “have it all” and that the job she has put her life on the line for is making her miserable.

This is a very “ordinary life” sort of story– Alice deals with work details and raising a family and taking care of aging parents. I liked that and I liked Alice. She’s navigating through a lot of new things, but seems to remain down-to-earth and just… I dunno, seems like the kind of person I’d want to chat books or kids with. I like that Alice is thrown into the deep end with her new job and that she tries to make it work and is capable of doing work that is probably outside of her depth of experience when she comes in. There is some of the excitement of a new business venture in here and that is entertaining (until things take a dramatic turn that ruins the whole deal for Alice). I’m always down for stories about women finding themselves and making life work for them and this was no exception.

But there were three big things that bugged me about this story.  First, Alice’s husband’s drinking issue is never really tackled in a meaningful way.  He’s been getting black-out drunk in the afternoons for about a year and manages to turn this around just by wanting to quit?  To me, it sounded like he had addiction issues, which are unlikely to be solved by force of will.  I kind of feel this story would have worked without a drunk husband, so Egan needed to deal with this in a real way or leave it out.

Second, I’m a little uncertain how to take the ending of this story, where Alice figures out Scroll is not for her. It was the ending I was rooting for and absolutely appropriate for Alice’s situation, but I am kind of left hanging. I’m a working mom (granted in a more family-friendly environment) and it almost feels like a slap in the face to read a book about a working mom whose problems are all solved by her quitting her job and letting her husband’s business take the lead. I don’t know. Not every working mom has the luxury of quitting her well-paying job to “figure things out.” I think I’d have been more satisfied if this had ended with Alice finding a full-time job that gave her more flexibility to be present with her family, rather than having her return to part-time work and the vague possibility of a future business venture.  I just felt very uncomfortable about reading a book about “having it all” that settles firmly into the message that it can’t be done.  And sure, I think “having it all” is a problematic concept and that there is no realistic way to do everything you want in life (even without kids), but I think many mothers manage to find a balance they can live with, even with a full-time job.  It just really bugs me that Alice’s solution had to be exiting the traditional workforce, especially when all her children are in school full days.

Finally, I think a lot of my dislike about the ending of this book has to do with my discomfort with the socioeconomic background of the characters in this book. I just felt vaguely unsettled that money is never a REAL problem for Alice, that she can afford the babysitter, the house with the perfect location, the new work wardrobe, the lessons and activities for the kids, etc. without breaking a sweat. She lives in a rarefied world (one where she inherits money from her father’s death, even)– not the world most of us would find ourselves in if our partners lost their jobs and went into business for themselves.  I always feel a little uncomfortable with these stories of women for whom money is no big deal, particularly ones that strive for as much realism as this one did.

Anyways, despite the fact that had some rather major issues with this book, I did enjoy it quite a bit.  I think Alice’s character won me over and that that made this book a lot more charming than it would have been had these issues been present in the story of a flatter character.  I’d definitely be willing to try more from this author, should she write another novel.  As for a recommendation, if Jennifer Close is your kind of chick lit, then I think Elisabeth Egan would be, too.  This is definitely for fans of that higher brow sort of chick lit– the kind with heavier issues and East Coast, privileged characters, where the drama of daily life outweighs romance or comedy.

The DUFF- Kody Keplinger

Bianca loves her best friends, but isn’t interested in dancing at the under-21 dance club in their home town.  While watching her friends have fun on the dance floor, notorious womanizer, Wesley, comes over and informs Bianca that of her friend group, she is the DUFF: the designated, ugly, fat friend.  This gets under Bianca’s skin because, like any high school student, she is a little bit insecure.  Anyways, things kind of blow up in Bianca’s home life and somehow she finds that her only way to deal with it is to find some moments of escape in sex.  With Wesley.  Wesley, who is actually a better listener and friend that Bianca gave him credit for.  But Bianca doesn’t believe in love in high school and certainly not in love with the guy who gets around the most out of their whole class.  So where on earth can this “relationship” take them?

I’d heard a lot of good things about this book, which is why I picked it up in the first place, but I still kind of feel surprised by how much I liked it.  The story reminded me of being in high school more than any other YA books I’ve read.  Bianca’s life is not just her parents getting divorced or her fooling around with Wesley.  She’s got schoolwork and friends.  She isn’t popular, but she’s not an outcast, even though she feels that way some of the time.  Mostly, she’s happy and comfortable with herself, but sometimes she wonders if she isn’t the DUFF and worries about what other people think about her.  Basically, she’s a normal teenager.  And a pretty likeable, interesting one, at that.  She is cynical, but smart and funny and loyal to her friends.  She doesn’t exactly have the best coping skills when it comes to some of the problems in her life, but she’s 16 and human and that makes sense.

As for the romantic plot, it’s nothing new,  just an enemies become lovers plot, but the depth of the characters, particularly Bianca, made for a fun romance.  I liked Wesley, sort of in spite of myself, and as much as I agreed with Bianca that he was probably bad news, I couldn’t help rooting for them to work it out, for Wesley to settle down on just one girl.  There is also a point where Bianca gets caught in sort of a love triangle, as Toby, the sweet, nerdy boy she has crushed on for 3 years, suddenly notices her and as she tries to disentagle herself from whatever is going on with Wesley.  I found that I liked Toby, too, and was kind of sad that there was so little chemistry between him and Bianca.  Also refreshing, plot-wise, is that teenagers have casual sex in this book and nothing bad happens.  It’s really not even a big deal.

I only had one complaint with this book and that is that the home stuff wrapped up a bit too easily.  Bianca’s father is a recovering alcoholic who has a relapse and even shows a violent temper as a drunk.  But he seems to bounce back to recovery pretty easily.  Bianca’s mother has been traveling across the country for years doing speaking events, but after she files for divorce, she suddenly seems to want to connect to and be present for the daughter she’s been ignoring and absent from for so long.  And Bianca accepts that.  These are all big things and the solutions seem a little more simple and drama-free than they’d actually be in real life.

All in all, I really enjoyed this book and wish it had been around when I was a teenager.  There is something about the plot and characters that resonated strongly with me as an adult and would have had an even bigger impact on me as a teen.  I imagine this would have landed on my short stack of books that I reread for comfort from time to time.  As it stands, this was absolutely worth my time and I would recommend this as a YA book with appeal to both teens and adults.

 

A Field Guide to Burying Your Parents- Liza Palmer

I’m going to develop a reputation for not liking Liza Palmer’s books, but I swear that’s not true.  I really did enjoy the first two of her books that I tried.  (Proof 1 and Proof 2)  But I guess pushing that proof aside, I really did not like A Field Guide to Burying Your Parents.

Alright, so the premise of this story is Grace is from this super tight-knit family with four kids, an estranged father, and a really awesome mother.  Grace’s mother died five years prior to this story started and Grace hasn’t spoken to her siblings since her mother’s funeral.  She has isolated herself in this little bubble of numbness, hiding from the intensity of her grief.  Then, one day, Grace’s sister calls to tell Grace their father has had a stroke and has made their older brother his power of attorney.  Grace sucks it up and out of a feeling of obligation to be a good child like she thinks her mother would have wanted her to be, drives up to see her father and her siblings gathered at his bedside.  It soon becomes clear that Grace’s father is dying and there is a big scuff-up because a lady claiming to be his wife keeps turning up, making it incredibly puzzling why their father left his power of attorney to a son he hasn’t seen in 20 years.  Amid the legal issues this precipitates, Grace is left with trying to process her grief for her mother, resolve her feelings about her father who abandoned her, get back in the good graces of her siblings and nieces/nephew, and reconnect with the boyfriend (who is also older brother’s partner at their law firm) who she abandoned when she deserted her family five years earlier.

There were parts of this story that worked for me, particularly the sibling relationships.  It felt like a very real reunion between these four very close siblings, with some anger and resentment from her sister, total acceptance from her younger brother, and some tough love from her older brother.  In the face of some really trying circumstances, they band together to make sure their father’s dying wishes are complied with.  I also enjoyed the plot antics in terms of the second wife and legal rights and inheritance and all that.  It was an original and interesting plot for a chick lit book and was actually a cohesive plot (unlike that of Girl Before a Mirror).  Also, Palmer’s writing is very readable and this book was no exception.

But there were parts of this book that did remind me of my dissatisfaction with Girl Before a Mirror.  Mainly the romance and character development in this book felt forced, much like they did to me in GBAM.  Grace’s grief bubble dissolves in the blink of an eye.  That sort of sudden character change doesn’t feel authentic and is kind of confusing.  In addition, the romance in this book lacked the establishment of a real connection between John and Grace.  It’s mostly told in flashbacks, but the on-screen, real-time romance we get is no real discussion or resolution of the five years separating these two, but rather just some sex and quick forgiveness and I love yous and never ever leave agains.  And that was also much the same way that the resolution of relationships went for Grace between her and her siblings and between her and her father.  It was all quick and easy forgiveness, and while I was willing to buy that Grace and her siblings could put aside the past to work together on their father’s behalf (after all, that’s what families do), I had a hard time buying that her ex-boyfriend whom she abandoned and the father who abandoned her would result in such easy resolutions.

Also, I wasn’t particularly happy with the ending of this book.  The epilogue was gag-me-with-a-spoon cheesy (seriously, why do authors think the surprise pregnancy is a cute, romantic thing?  WHY?) and for a story with a lot of people in heartaching situations, everything ended up a bit too rosy.  A story about a father who abandons his children and then calls them to his deathbed 20 years later could have much more depth and emotion than this story managed to.  This was all a little more fluffy and happily ever after than you might imagine based on the plot description.

And I think that brings me to the big thing that has been bugging me in Palmer’s books– she chooses very big issues to discuss in her books (the death penalty, school shootings, the death of one’s parents, sexism in advertising) and instead of digging deep, still manages to turn out a story that is rather fluffy without any major examination of those big issues.  I think that’s why Seeing Me Naked and Nowhere But Home worked for me– they were mostly about the family and personal drama.  The death penalty could have been a big issue in the latter, but plot-wise it wasn’t necessary, so it didn’t work against the overall development of the characters.  And I think this is also is why A Field Guide for Burying Your Parents fell so flat for me– it promises to deal with the grief of losing both parents through death and abandonment, but ends up settling for an easy out with a father who always loved his kids and ex-wife, but could never ask for forgiveness and come back to them and made grieving a mother as simple as not talking about it for five years and then having a mini-breakdown in a parking lot.

I only have one of Liza Palmer’s books left to read and I’m honestly not sure if I will or not.  It is her debut and should be closer in tone to Seeing Me Naked.  But I have had such mixed results with her books, that I have a hard time imagining giving them another try with the failures so fresh in my memory (Girl Before a Mirror was such a major disappointment for me).  In any case, it has been interesting to be working on authors’ backlists this year (kind of unintentionally) and to see that sometimes an author who really works for me in one book doesn’t at all in another.  Has this ever happened to you?

Summer Mini-Reviews: Cheater Cheater Pumpkin Eater

Look guys!  I am actually posting a review!  Ok, it’s a mini-review.  But I realized recently that I keep picking up books where the heroine gets cheated on by her boyfriend and it sets in motion a series of life-changing events.  I actually put down a book after two pages when realizing it had this same conceit.  Anyways, here are my reviews of two cheater-cheater-pumpkin-eater books that I have read somewhat recently.

Nine Uses for an Ex-Boyfriend by Sarra Manning

Hope Delafield has been with Jack, her childhood sweetheart, for over a decade.  Their mothers are best friends who have high hopes for their relationship.  Hope and Jack own a home together and Hope is certain that engagement is on the horizon for them.  That is, until Hope catches Jack kissing her best friend in a more-than-friendly, definitely-not-the-first-time kind of way.  Hope is crushed, but still loves Jack and believes his assertions that he loves her, too.  They decide to give it another go and Hope takes her share of emotional beatings on her journey to decide what she really wants for herself.

What I liked: Sarra Manning is one of my favorite authors and this book had a lot of the elements that I have come to expect from a Sarra Manning book.  Hope is flawed, insecure, and messy, but also very likeable.  She is forced by circumstances to determine what she wants out of life, as she has kind of coasted by picking both the career and boy her mother wanted for her.  She is also a total pushover, who has yet to grow a backbone, and she lets Jack walk all over her, giving him way more second chances than he deserves.  Her eventual non-Jack love interest, Wilson, is very much a Sarra Manning hero– he’s prickly and hot.  Hope could be a bit of a frustrating character, but I did like her and root for her and enjoyed seeing her grow over the course of the story.
What I felt meh about: This is an exhausting book.  Absolutely exhausting with the will they-won’t they between Hope and Jack.  It was appropriate for Hope’s character to not immediately end things and to keep giving Jack another chance, but it got frustrating to watch.  I really wanted more of the story to focus on things with Wilson and I wish Hope had grown her backbone a little earlier on in the story.
All in all: I am glad I read this book, as I really do like Sarra Manning’s characters, but this is probably my least favorite of hers so far.

It’s Not Me, It’s You by Mhairi McFarlane

Delia Moss decides it is finally time to get the ball rolling with her boyfriend of nine years, Paul.  They own a home together and a dog together and Delia is ready to get married. So she proposes to Paul.  He is bewildered, but accepts and the two go to a pub to celebrate.  At the pub, Delia gets a text from Paul that is clearly meant for another woman.  She confronts Paul and finds he has been seeing someone else for the past few months.  She isn’t ready to the end the relationship, but she also can’t stand the sight of Paul right now, especially as she finds he keeps lying to her about little things.  When her boring, but safe job goes up in flames, she decides to move from Newcastle to London to stay with her best friend, Emma.  In London, Delia lands a job in PR and her boss is a bit… shady, but Delia wants a new life and tries to learn what she can at this new job.  That is, until she keeps running into a handsome investigative journalist who is hell-bent on ruining the reputation of Delia’s shady boss.  Delia’s life is up in the air and she has to decide who she is and what she wants out of life.  Does she want the relative safety of a relationship with Paul?  Does she want to be someone who bends (or breaks) the rules to be successful in business?  Or is she ready to take some risks and do what she knows is right?

What I liked: Delia is a very sweet and likeable character and the rest of the cast of characters (with the exceptions of Paul and shady boss, Kurt) were also fun to read about.  I particularly liked that McFarlane wrote in some seriously geeky characters, like Delia’s brother and the computer genius, Peshwari Naan, who were perfectly themselves, even though that meant they didn’t really fit into the roles that Delia hopes for them.  There is a lot of scheming between Delia and the cute journalist, Adam, to take down Kurt and while it definitely approaches a silly and ridiculous level of antics, I had a lot of fun with this plot line.  It was a cute, original way to bring two characters onto the same side and allow them to get a little closer.  Really, this book was fun and readable and had great leading characters.
What I felt meh about: I kind of got tired of the whole Paul story.  He cheats, he lies, Delia tells him she wants some time off, and he will just not take no for an answer.  He keeps sending her things to remind her of their relationship and begging for another chance.  Delia has started moving on already, though maybe she doesn’t quite realize it, and I just got sick of seeing Paul pop back into the story.  Probably, this would have bothered me less if I hadn’t read it with Nine Uses for an Ex-Boyfriend in mind, but what can you do?
All in all: I really enjoy Mhairi McFarlane’s books.  They are funny and smart and just great chick lit.  I had high hopes that this would top Here’s Looking at You for me.  It didn’t, but it was a good book nonetheless.  I will definitely be back for more Mhairi McFarlane in the future.

Illusions of Fate- Kiersten White

I picked this book up on a whim (and also that gorgeous cover) because I’d enjoyed Kiersten White’s story in My True Love Gave to Me and had promised to try out some of her other works.  This is a historical fantasy-paranormal romance mash-up.  Jessamin is in school in Albion (a very English-feeling country) and works herself to the bone trying to get the education she needs to rise out of poverty and servitude.  Jessamin is from Melei, an island colony of Albion, and her dark skin, gender, and national origin put her at a disadvantage for surviving and succeeding in Albion and in school.  Things change for Jessamin when she meets the handsome, rich, and mysterious Finn and is introduced to his world– the wealth, the politics, and the magic.  But, of course, their relationship is in peril due to Finn’s mortal enemy who will stop at nothing to obtain the magical secrets and power that he believes Finn possesses.

What I liked: This was smart fluff– somehow managing to be both serious and fluffy at the same time.  Both Jessamin and Finn are YA stereotypes, but somehow they are more than just the cliche.  Jessamin is smart and beautiful and doesn’t fit in, while Finn is rich and has a paranormal secret and wants to protect Jessamin from his complicated and dangerous political/paranormal dealings.  And they’re destined by fate to be together… except Jessamin is determined to not leave anything to fate and demands to make her own choices and to be in control of her own destiny.  I liked Jessamin’s stubborn determination to get an education and make it on her own without accepting handouts from anyone.  I also enjoyed the post-colonial dialogue in the book and the plot twist at the end surprised me.

What I felt meh about:  Most of this story skimmed the surface when there was definite potential for more depth– more political intrigue, more romance, more character development.

All in all: I have gone on to read more Kiersten White because of this book.  White is clever and writes diverse characters and is just plain fun to read.

Girl Before a Mirror- Liza Palmer

I was super excited about this book.  I’d read Liza Palmer in the past and liked her books and saw the potential for her to write my new favorite book.  The premise sounded interesting– a 40 year old woman turning things around at work, in her love life, and in her friendships and family relationships.  The early reviews were mostly 4 and 5 stars and from reviewers whom I trust to approach the work of a familiar author with critical eyes.  All that to say, I had very high hopes coming into this book and I’m not sure I’ve ever been quite as disappointed with a book as I was with this one.

Girl Before a Mirror is about Anna.  Anna has just turned 40, is divorced and has been on a dating timeout for a couple of years, and works in advertising.  She’s been trying to reshape her life– getting rid of toxic relationships and trying to go after what she really wants.  One thing she really wants is a big, important account at work.  She’s tired of getting no respect for working on ads for women’s products.  She gets a great idea to pitch to Lumineux Shower Gel, to totally rebrand the under-the-radar item and get it into every woman’s shopping cart.  She figures if this is a success, she has a shot at landing Quincy Pharmaceuticals, the parent company of Lumineux.  Part of her ad campaign involves getting a romance novel cover model to be the man in the Lumineux ads.  So off she and her younger coworker, Sasha, go to Phoenix to attend RomCom, the romance novel convention.  In Phoenix, Anna meets Lincoln, a consultant in Phoenix on business and the two hit it off quickly, but while they find intimacy between one another easy, true commitment is another story.  These events set the background to Anna’s journey of self-discovery, as she tries to remake herself into the woman she wants to be, free of the insecurities of her youth.

All of that sounds like a book I would have liked to read, but I did not like reading this book at all.  The plot was very convoluted.  The ad campaign made very little sense to me– its tagline was “just be” and it was supposed to be about women accepting themselves as is, and this somehow had something to do with romance novels and the male models on their covers.  Anna’s relationship with Lincoln felt like instalove.  They meet in the hotel bar, barely talk, then end up making out in the elevator, and suddenly they’re sleeping together and talking about their insecurities and thinking about love.  All over the course of a couple of days.  I don’t want to dismiss whirlwind relationships, but these are two very closed-off people with walls built up all around them.  It was impossible for me to buy that they reached the level of emotional intimacy that they did so quickly and with so few interactions that weren’t just sex.  In addition, most of Anna’s friend/work relationships seemed to suffer from the same feeling of false intimacy.  Anna and Sasha declare themselves friends, but I didn’t really see the building of that relationship.  They are working closely enough together that it seemed reasonable for them to become friends and they acted like friends in the end, but the close confidences and intimacies between the two happened before it felt natural for them to occur, especially with Anna being so afraid to let people in.  On top of Anna’s work and her love life, there is a side plot about Anna’s brother, Ferdie, who ends up in drug rehab and both his problems and Anna’s issues all end up being blamed on their parents who just sort of magically appear as awful and absent people midway into the book.

All of these threads were going on and weren’t handled in way that made it easy to keep things straight… at times I felt like I was missing something– a chapter, a previous book, a conversation, something– that would have explained why Anna felt or acted in certain ways.  The issue with her childhood and parents felt like it came out of nowhere.  And there is a scene where she is rebuffed by the big name romance novelist for dismissing romance novels and for the life of me I couldn’t remember a time where Anna verbally dismissed romance novels.  After all, it was her (and Sasha’s) idea to come to RomCom in the first place.

Palmer tries very hard to make important points about how society undervalues women– as consumers, as workers, as people, as readers.  I nodded my head at most of these points– at how women’s products aren’t important advertising accounts, yet women are the ones spending money.  How ads aimed at women talk down to them or try to make them feel inadequate, rather than trying to speak to them like equals worthy of great things.  How romance novels or pop music are routinely dismissed as trivial or guilty pleasures, when there is value in stories about love and value in pleasure, no matter its source.  But… as important as these points are, they felt out of place in this book.  They are things Anna thinks or talks about, but they didn’t feel organically incorporated into the story.  It isn’t necessary to have Anna say advertising is sexist because it is obvious from the way her bosses treat her accounts, for example.

I left this book feeling like I had read a first draft, like there was something to be fleshed out of this story, but it hadn’t happened yet.  I generally enjoy introspective, smart chick lit and I feel like this was an attempt to be just that, but the lack of cohesion in the plot, the characters, and the deeper message left me disappointed.