I am about halfway through both Jane Eyre and Villette and have a million thoughts about my foray into the classics. So I figured it was time for a little status update. I have a blog for a reason, right?
1. It is kind of refreshing to read books with only one narrator. I’m really wearing out on the multiple narrator thing and there’s certainly a lot of that going around in novels these days.
2. I love rereading Jane Eyre and I look forward to listening to it whenever I can fit it in. I took a class in college where the professor told us we were reading classics, books that would stick with us, that we’d read over and over again because of the lessons they teach/how we connect to them. I never felt that way about any of the books we read in that class (would it surprise you that all were written by men?), but I realized recently that I do feel that way about Jane Eyre.
3. Villette is challenging, especially because its narrator, Lucy Snowe, is pretty difficult. She’s evasive and tends to be a bit depressed. And she’s an outsider, so there’s a lot of being on the outside looking in with her narration. It’s not always enjoyable to be so apart from the action.
4. In reading Jane Eyre and Villette at the same time, I am realizing that Charlotte Brontë LOVES to describe things and, perhaps even more, likes to describe people and FEELINGS. And sometimes I love it. And other times my eyes (or ears in the case of audiobooks) glaze over and I’m like, ok, let’s get to the action, enough of the sloping necks and pure white dresses. And sometimes it gets a little emo, but sometimes the emo is totally worth it when you get lines like “happiness is not a potato.”
5. It is sort of nice to read classics because there is a lot more to think about and analyze and well, it’s been a while since I read something like that. Remind me to do this more often.
Gemma Hardy is orphaned at a very young age in Iceland and goes to live with her uncle in Scotland. The uncle then dies, leaving Gemma with her heinous aunt and three bratty cousins. Gemma’s aunt is tired of supporting her and sends Gemma off to boarding school. The boarding school is not all fun and games, though, as Gemma is forced to work to earn her keep. There is one bright spot in the experience, though, as Gemma makes her first friend and learns what it is to love and be loved. When she reaches adulthood, Gemma accepts a position as an au pair in the remote Orkney Islands. While in her position, she meets the mysterious, yet alluring Mr. Sinclair. The two fall in love, but circumstances and betrayal separate them. Gemma leaves, learns to become more independent, yet never stops missing Mr. Sinclair.
Ok… sound familiar yet? The Flight of Gemma Hardy is a retelling or homage or what-have-you of my all-time-favorite book, Jane Eyre. When I heard about it, I knew I had to read it! That said, however, I don’t read many inspired by or retelling sorts of books. I was a little startled by how close some scenes were to the original (hiding in the curtains reading a book about birds in the first chapter, for example), but I don’t really know if that is a good or bad thing. I suppose I was a little irritated with it at times and at others I could excuse it. Don’t ask me why; I guess I’m fickle that way.
This was a pretty enjoyable read. I especially loved what Livesey did with Gemma. You get much more of Gemma’s interior life in this book than you do with Jane Eyre and because of that I came to understand Jane’s motives in a slightly different manner. Like… I never spent much time pondering the age difference between Jane and Rochester, but the age and maturity difference between Gemma and Sinclair is ultimately what makes Gemma leave. Gemma was a delightful character and it is really great to see her grow up and to come into her own.
However… the romance between Gemma and Fauxchester fell flat for me. It started off with some sparks, but the big secret that tears them apart? Ummm, let’s just say it is no wife in the attic. Or really even something that I saw as being abandon-him-worthy. And then the reunion is just kinda meh, as well. Gemma was far more interesting on her own than she was with Fauxchester and I think this book could have held up just as well (if not better) if they didn’t end up together.
If you are a fan of Jane Eyre, you’ll probably enjoy this one… though the romance might not live up to your expectations. Still an enjoyable read, though!
- Iceland– The settings are really well done in this book and Iceland is particularly important to Gemma’s identity formation. I had no idea I cared about the culture/history of Iceland, but this book certainly piqued my interest!
- 1960s– The book ends in the late 1960s, so Gemma is really on the cusp of some massive cultural upheaval. I thought this was an interesting time to set the story of a woman discovering herself and making herself independent, as women’s lib was soon to hit the scene.
I discovered this book by reading Asheley’s review over at Into the Hall of Books.